The bottom line: For easy-to-read health content, use sans serif fonts and make them at least 12 point or 16 pixels. Lastly, make your font stand out! Show it off by including plenty of white space in the margins and between paragraphs. For print, use at least a 12-point font - larger if you’re writing for older or low-vision populations. We like Verdana, Open Sans, and Proxima Nova. They tend to be cleaner and simpler (even though the great debate about the readability of serif vs. While there are now thousands of fonts to choose from - thanks to services like Adobe Typekit, Cloud.typography, and Google Fonts - this doesn’t necessarily mean that all available fonts are user friendly. Think of it like this: Choosing a font for your content is like choosing an actor to star in a play. Users are more likely to skip over content that looks overwhelming or hard to read - even if it’s written using simple words. F.M.There is also the Korean font library Sandoll. This provides an opportunity for students to use special typefaces for smaller projects at much lower prices. Once you have rented a font for twelve months, you own the font file outright. That’s because fonts are key to making content easy to read (or not). For instance, Fontstand, with whom we are also associated, allows you to rent typefaces for a period of one month, for a very low price. Some might call this font snobbery, but we prefer to think of it as a necessary part of being a dedicated plain language advocate. We have a total of 38 FontFont families available on Typekit.Just a mention of the font Comic Sans makes the designers at We ❤ Health Literacy Headquarters shudder. When spacing is tight, we also have the Dax Compact styles ready to sync. This style influenced countless designs to follow. Hans Reichel’s choice to eliminate stems on characters such as the lowercase a and u gives the typeface a casual aesthetic, while all other features are polished. A special addition to Ernestine and included in the font is its Armenian version, designed by Hrant Papazian.įF Dax brings a humanist touch to a minimal sans typeface. This makes each style work well in its own right, without the context of the others. Stössinger took care to design each style separately, rather than automating their variation in weight. The whole design is influenced by choices to make it more open and friendly: ball terminals and large x-height, along with open counters and round shapes. For starters, that g could be recognized anywhere. For a grotesque typeface, there’s an unusual and impressive focus on legibility in the Text version, features like the curved foot of the lowercase l and crossbars on the uppercase I contribute to this.įF Ernestine, by Nina Stössinger, is a slab serif that stands out from others in its genre. The family has been recently expanded to include 52 styles divided between FF Real Text and FF Real Head, including italics. Designed by Erik Spiekermann and Ralph du Carrois, it was originally conceived by Spiekermann to use as the text face for his biography. Read on for a brief overview of what we love in the FontFont collection, or jump directly to their foundry page to see for yourself.įF Real is an entirely new family on Typekit. The fonts are then yours to use in any desktop application, and can be hosted on the web via Typekit as well. With an Adobe ID, you can sync purchased fonts via the Creative Cloud desktop app. We’ve also put an extensive collection of over 700 FontFont typefaces on Typekit Marketplace for individual purchase, which you do not need a paid Creative Cloud subscription to use. We’re pleased to announce that an additional 230 FontFonts are now available for sync in the Typekit library. Monotype’s FontFont library was one of the original offerings in Typekit in 2009 back when we were only a webfont service.
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